From Stage To Screen Bollywood Songs Reimagined For Films
From Stage To Screen Bollywood Songs Reimagined For Films
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From Gulzar to Javed Akhtar - Mapping the Evolution of Bollywood Verses
While both are extremely pertained to writers and lyricists, their body of work stands out. They likewise have various styles, affects and backgrounds.
Lyrics Quiz Test Your Bollywood Song Knowledge With Fun Interactive Challenges
Javed Akhtar recently told an incident at a publication launch occasion where he was mistaken for Gulzar Sahab. He claimed people use their minds like kabad khaana and think any individual looks like them.
The Beginning
Sahir Ludhianvi was an enormous figure that has had a significant effect on several Bollywood lyricists. But he was likewise a person who might obtain egoistic. He would commonly flaunt to people regarding just how he had made more cash than anyone else in the film sector.
Gulzar and Javed are both masters of what one could call 'bolchaal ki bhasha' or colloquial Hindi, stripped of its Persianised vocabulary. This is the language that is comprehended by common people in India. It is a tough task to accommodate courses and masses simultaneously, but both have accomplished.
Take 'Misra-e-saani' from the flick 'Seema', for instance. It is a wistful love song that mentions the heart yearning for its precious. But it is also regarding locating satisfaction in a foreign land. It is a fine instance of just how both Gulzar and Javed can make sense of complicated feelings with straightforward words. Their innate poetic skills assisted Bollywood escape from melodrama and get to brand-new elevations in cinematic storytelling.
The Middle
Clarify tracks are a distinguishing characteristic of Bollywood cinema. They move the cinematic story or disrupt it, and they mirror social concerns and political ideas. They have also been utilized to challenge hegemony by lyricists associated with the Progressive Writers' Organization.
Sampooran Singh Kalra, much better called Gulzar, was the son of Makhan Singh and Sujan Kaur. He left school and took up various jobs to make ends satisfy, including retouching autos. His family members moved to Bombay after partition and he became acquainted with the citys literary circles, which patronized him.
He wrote the lyrics for numerous films with music director R D Burman and dealt with actors like Hema Malini (Parichay, Kinara, Meera), Jeetendra (Achanak, Aandhi, Angoor, Koshish) and Sanjeev Kumar (Mausam, Aandhi, Ijaazat). His poetic sensibility showed the Indian self-reliance motion and its ideals of secularism, social justice and national integration. His poems were also crucial of communalism and exploitation of women.
The End
Gulzar has won several honors and honours for his job, consisting of 5 National Movie Awards, 22 Filmfare Awards, Rashtriya Kishore Kumar Samman from the Government of Madhya Pradesh, 1 Academy Award, 1 Grammy Honor, 2002 Sahitya Akademi Honor for Urdu, and Padma Bhushan in 2004, India's 3rd greatest private award. He is a poet, author, dialogue writer, movie scriptwriter, and supervisor.
He additionally penciled lyrics for films of composers such as SD Burman, Shankar Jaikishan, Hemant Kumar, Laxmikant-Pyarelal and countless others. He created the movie script for the movie Two, a comic book series by Pammi Bakshi and was a discussion author is a lyricist a songwriter for the movies of Mani Ratnam (such as Kaminey and Omkara).
He also routed the eponymous tv serial Mirza Ghalib starring Naseeruddin Shah in the title role, and a docudrama on Amjad Khan and Pandit Bhimsen Joshi. Furthermore, he has directed numerous dramatization and brief films. He is married to Raakhee and has a little girl, Meghna.
The In-Between
Gulzar was not worried to deal with questionable topics in his verses. His job typically reflects the social and cultural fads of India. Along with romance and broken heart, he additionally integrated themes of feminism and social justice in his songs.
He likewise composed screenplays for numerous movies. In particular, the 1984 movie Aandhi is recognized for its exploration of feminism. This film stars Meena Kumari as a female that is forced to stay in a separated village with her husband. The movie is a fundamental part of Indian cinema.
Gulzar was birthed as Sampooran Singh Kalra to Makhan Singh and Sujan Kaur in Dina, Jhelum District in British India (now Pakistan). After dividing, he transferred to Mumbai, then called Bombay, and started working in a garage. He quickly discovered success with his lyrical works and functioned carefully with supervisors like Bimal Roy and Hrishikesh Mukherjee. He likewise wrote a variety of books on Urdu verse and ghazals.
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